My journey in photography began in 2020. 

Since then, I have gained extensive experience working in photo studios, such as WE CAMPUS (QWEEX), MAYAK, which allows me to be most productive when filming in photo studios, thanks to a full understanding of their structure, possible stressful situations and ways to get out of them. 

I also have extensive experience working as a gaffer (lighting designer), both individually in various advertising projects, and in working with a large number of Russian clothing brands, and in teams such as kilowatt.light, 42light. This experience allows me to create lighting schemes for various tasks, convey emotions and mood with light as accurately as possible, understand and work with a large number of lighting devices.

In 2022, I gained extensive experience working in large projects, campaigns, lookbooks, for example for TSUM, LIME, AGREEG, OSOME2SOME, editorials, for example, for Grazia Russia, Elle Russia, Glamor Russia, The Bluprint.

In 2022, I started working with dancers. In these works, I was able to maximally reveal my vision of photography, which emotionally coincides with the real dance, the feelings of the dancers, which is noted by all customers.

Having the experience described above, and constantly working on my feelings, I developed my own style in my works.

In my photography, I rely on the importance of not just recording reality, but looking for a moment that maximally conveys and even enhances the atmosphere and meaning of what is happening, putting together a photograph using artistic tools, just as poets use language to write their works. Atmosphere, moment, light and color are the four pillars on which my photography stands.

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